We spoke with Gallery Director , Jasdeep Sandhu from Gajah Gallery to talk about their presentation for Sydney Contemporary 2024.
How do you characterize the philosophy of Gajah Gallery as a gallery?
At Gajah Gallery, our philosophy is intertwined with the exploration of Southeast Asian art. We are committed to providing a platform where artists can challenge conventional boundaries, allowing their distinctive voices to resonate within the global art community. Our mission is not only to delve into the rich cultural narratives of the region but also to push the envelope in terms of materiality and artistic expression. An essential part of our philosophy is the documentation of history through art. We have had
the privilege of discovering and championing artists like I Gusti Ayu Kadek Murniasih and Semsar Siahaan, whose works serve not only as artistic expressions but also as vital cultural and historical records. Collaborating with esteemed curators and historians, such as T.K. Sabapathy, Michelle Antoinette, and Dr Wulan Dirgantoro we aim to ensure that the diverse histories of Southeast Asia are documented and integrated into the global art discourse.
Through collaborations with our art space and foundry, Yogya Art Lab (YAL) in Yogyakarta, Indonesia, we support our artists in experimenting with new mediums and techniques, ensuring their work reflects their heritage while engaging with contemporary issues in innovative and compelling ways. This approach allows us to continuously evolve, pushing the boundaries of what Southeast Asian art can achieve on the world stage.
I Gusti Ayu Kadek Murniasih (b.1966 – d.2006), Nikmat (Enjoyable), 2000. Courtesy of Gajah Gallery.
You have been working in galleries for over 25 years. What’s special about the gallery world for you?
Since founding Gajah Gallery in 1996, what stands out to me is the ongoing dialogue between tradition and innovation that defines the gallery world. At Gajah Gallery, we are constantly navigating this dynamic intersection, where the past informs the present, and where every exhibition introduces fresh perspectives while connecting to deeper cultural narratives. The gallery serves as a nexus where artists, curators, and collectors converge to explore ideas, challenge perceptions, and create meaning.
One of the most fulfilling aspects of this journey has been our commitment not only to discovering what’s next in the art world but also to looking back and unearthing important artists who may have been overlooked or forgotten. For instance, Semsar Siahaan, a seminal figure in Indonesia’s progressive movement, reflects our dedication to researching and bringing such artists to light. Siahaan’s fervent activism and incisive social commentary are integral to the history of Indonesia’s political landscape, yet his contributions have often been underappreciated.
Moreover, our efforts to bring attention to figures like Bagyi Aung Soe, the trailblazer of modern Burmese art, demonstrate our dedication to exploring the rich artistic traditions of Southeast Asia. Aung Soe’s melding of traditional Asian art forms with Western modernism and his pursuit of art as a vehicle for spiritual and social transformation have earned him both respect and reverence. Our collaboration with The Centre Pompidou, in Paris, France, for a major exhibition on Aung Soe in 2021, alongside a publication launched by Gajah Gallery, exemplifies our ongoing mission to ensure that these significant artists are accorded their rightful place in art history.
Our work with Indonesian artist Yunizar, with whom we co-founded YAL, represents our forward-looking approach. Through YAL, we’ve been able to support artists in expanding their practices into new mediums, such as sculpture. This collaboration has resulted in works that will be featured at the fair, underscoring our commitment to both preserving and advancing the artistic heritage of Southeast Asia. Witnessing the evolution of artists’ practices and playing a role in bringing their visions to the public has been a privilege. This continuous exchange of ideas, the sense of community, and the shared passion for art are what make this field truly unique and endlessly engaging.
Yunizar, Yellow Man, 2024. Courtesy of the artist and Gajah Gallery.
What are you most excited about for your first time exhibiting at Sydney Contemporary?
We are excited to debut at Sydney Contemporary, as it offers a prime opportunity to present the rich diversity and dynamism of Southeast Asian contemporary art to a broader audience. I am particularly excited to showcase the works of two female artists who have made Australia their home: Singapore-born Suzann Victor and Malaysian artist Kayleigh Goh.
Victor is renowned for her bold exploration of light, space, and movement, creating immersive experiences that challenge the viewer’s perception. Her work, which often interrogates themes of power, gender, and identity, resonates deeply within today’s socio-political context. Kayleigh Goh, on the other hand, employs minimalistic forms and textures to evoke a sense of calm and contemplation, reflecting her nuanced understanding of space and memory. Both artists bring a profound sensitivity and intellectual depth to their work, making their contributions particularly significant in this setting.
Additionally, this platform allows us to continue our efforts to highlight the late Balinese artist I Gusti Ayu Kadek Murniasih, whose bold and surreal paintings continue to provoke thought and resonate with viewers.
Our participation in Sydney Contemporary underscores our dedication to maintaining a strong presence in Australia, following our involvement in the 24th Biennale of Sydney, where we highlighted Murniasih’s work. This fair represents a pivotal moment for us to connect with Australian collectors and art enthusiasts, fostering new relationships and dialogues, and reinforcing the significance of female artists within the global art narrative.
Suzann Victor, Prismatic River, 2022. Courtesy of the artist and Gajah Gallery.
What advice would you give someone looking to start their own collection at the fair this year?
For those new to collecting, approach the fair with an open mind and curiosity. Trust your instincts, and don’t hesitate to ask a gallerist for more information about the art and artists. The art fair offers a unique opportunity to view a vast array of works in a short time, so take advantage of it. Engaging with the stories behind the artworks can enhance your experience, and remember, it’s perfectly fine to start small, especially with works by emerging artists, which often provide an affordable entry point.
Let love and passion guide your collection – buy what brings you joy, whether it’s the colours, movement, or memories a piece evokes. Practical considerations like measuring your wall space are important, but ultimately, your collection should be a reflection of your personal vibe and bring you joy. Whether it’s the colours, the movement, or the memories a piece evokes, buy art that speaks to you on a deeper level. Established objectives can help guide your decisions, but the art that truly resonates with you will always be the most meaningful addition to your collection.
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