Martin Browne Contemporary is dedicated to showing the finest in Australian and International modern and

contemporary works of art. The gallery combines a program of new work by its exhibiting artists with curated exhibitions of selected works from the secondary market.

Through a considered and evolving program, Martin Browne Contemporary fosters meaningful dialogue between established and emerging practices, connecting artists, collectors, curators and audiences with significant developments in contemporary art across Australia and abroad.

Established in 2004 by Director Andy Dinan, MARS Gallery based in Naarm/Melbourne is a cutting-edge, contemporary art gallery with a steadfast resolve for promoting Australian artists. Under Andy’s watch, MARS enjoys a unique position staging regular exhibitions in excess of 300+ exhibitions featuring over 330 artists. Andy specialises in exhibiting, promoting, and building careers of emerging artists exhibitions, attending international art fairs, curating special events and consulting on major public art commissions.

MARS has also exhibited in international art fairs including Paris Photo, Photo London, Photo Basel, Art Central Hong Kong and Volta Basel.

After a successful decade in Port Melbourne, MARS moved into the purpose-built, state-of-the-art gallery in Windsor in 2014. The new MARS represents the gallery’s commitment to the next generation of art and artists, enabling the showing of challenging new media including sound sculpture, video and light art alongside contemporary painting, sculpture and works on paper. MARS is at the forefront of innovation in Australian contemporary art galleries in both design and programs.

LON Gallery is a contemporary art gallery that supports critically engaged art practices.

LON began in 2016 as a non-profit, artist-run initiative primarily supporting emerging artists. In 2019, it established a formal program, enabling deeper engagement with a select group of artists supporting the critical development of their practices alongside their growing public and institutional recognition.

The gallery now represents a diverse group of artists at various stages in their careers and maintains a strong curatorial focus on thematic group exhibitions. LON operates out of its premises in Richmond as well as regularly engaging in off site exhibitions and art fairs.

Jacob Hoerner Galleries presents the work of a specially selected stable of Artists working in a variety of media with a strong emphasis on the use of new mediums & innovative approaches to the creation of Contemporary painting.

Initially producing exhibitions while studying in Europe in the late 1990’s Hoerner returned to Australia in the early 2000’s and established his first commercial gallery in Melbourne in 2002 that was then renamed Jacob Hoerner Galleries in 2016. In 2027 Jacob Hoerner Galleries will be celebrating 25 Years of presenting Artists from Australia & abroad in Melbourne & Sydney and at times Europe & Asia.

In 2025 Jacob Hoerner Galleries opened a New World Class Exhibition Space in St.Kilda that was designed & built by the Award winning Architects Pleysier Perkins & in 2026 Jacob Hoerner Galleries will open a second concurrent ‘Viewing Room’ exhibition space in Prahran, also designed by Pleysier Perkins, as a more flexible & dynamic adjunct to the primary St.Kilda location and it’s Annual Program of 7 six week exhibitions.

Jacob Hoerner Galleries’ St.Kilda is Now Open for the New Year with the ‘Viewing Room’ Officially Opening March 28 2026.

Jacob Hoerner Galleries has participated & presented the work of Represented Artists at Art Stage Singapore (2015), Sydney Contemporary (2018, 2019, 2022, 2024), Spring 1883 Fair (2021, 2023, 2025) & the Melbourne Art Fair (2014, 2022 & 2024) as well as having produced several important exhibitions in Germany (2017 & 2022) & The Netherlands (1997 & 1998).

Jacob Hoerner has a Bachelor of Arts (Social Sciences) from La Trobe University (1997-93), with a final year at the University of Amsterdam (1997), as well as a Masters of Arts Management and Curatorial Studies from the University of Melbourne (2008-04).

Established in 2008, Hugo Michell Gallery is a privately-owned contemporary art space presenting the work of both established and emerging artists. Situated on Kaurna Land, Adelaide, South Australia, Gallery Director Hugo Michell is committed to presenting exciting and innovative work at the forefront of contemporary art across a range of mediums, including photography, painting, printmaking, digital media, sculpture, neon, textile, ceramic and installation.

Hugo Michell Gallery has been participating in Sydney Contemporary since 2015, and for 2026 we will champion two Adelaide based Artists amongst our presentation.

Founded in 1987, Gow Langsford is a leading New Zealand contemporary art space representing established local and international artists. Known for its ambitious programming and exhibitions operating at an institutional scale, the gallery champions bold practice, critical dialogue, and cultural relevance. Over the past four decades Gow Langsford has significantly influenced the discourse around contemporary art in New Zealand, with a continued commitment to cultivating a deeply engaged audience and an informed collector base.

Since 2008, Gallerysmith has been a recognised name in the Australian visual arts scene. Over 18 years of operation, the gallery has developed a strong reputation for showcasing artists with international reputations and important mid-career artists while also successfully shaping the careers of emerging practitioners.

We have a particular interest in showcasing the work of marginalised practitioners, namely women, a group whose collective practices have been unfairly overlooked by institutions and collectors. We seek to redress that imbalance by bringing together a group of strong artists whose practices make a substantive difference to the dialogue around contemporary practice. Artists such as Ema Shin, Wilma Tabacco and Gosia Wlodarczak make a significant and enduring contribution to culture and we are working towards increasing their visibility and recognition. In 2026, Ema Shin was selected for the Biennale of Sydney, where her tapestry woven heart sculpture takes centre stage at the Chau Chuk Wing Museum.

Gallery Sally Dan-Cuthbert was established in 2019 by director Sally Dan-Cuthbert. The first of its kind in Australia, the gallery represents local and international artists and designers, delivering an intergenerational programme of rigorous contemporary art, objet d’art and collectible design.

Represented artists and designers regularly exhibit in surveys, biennales, and significant thematic exhibitions in notable institutions globally. Their work is collected into important public and private collections around the world,  including The National Gallery of Australia, Australia; Museum of Contemporary Art, Australia; Auckland Art Gallery, NZ; Museum of New Zealand Te Papa Tongarewa, NZ; Los Angeles County Museum, USA; Brooklyn Museum, USA; The British Museum, UK; Kunst von Frauen in der Sammlung Ulla Pietzsch, Germany.

The gallery’s internal programme celebrates diverse approaches to media across art and design, with carefully orchestrated intersections of these parallel disciplines. The gallery presents solo exhibitions with emerging, mid-career and established artists and designers alongside curated group exhibitions. The gallery also participates in prestigious fairs and festivals internationally.

Gallery Sally Dan-Cuthbert is located on McLachlan Avenue in Rushcutters Bay, Sydney. The pre-existing building has been refurbished into a light-filled exhibition space with an emphasis on providing accessibility to quality art and design for all.

Gallery LNL is a contemporary gallery in Sydney, Australia. Located in the vibrant cultural hub of Newtown since 1990, the gallery has had an intimate relationship with the ceramic medium, showcasing some of Australia’s preeminent ceramicists beginning from their early years. From 2023, under the directorship of Jinyoung Lee, LNL continues from a firm grounding in ceramics and embraces any and all mediums in which today’s artists work seriously and dynamically.

The guiding ethos of the gallery programme is collaborative intentions. Exhibitions are conceived around concrete and substantive ideas of enduring cultural significance such as notions of national and regional character, the development of cultural discourse and aesthetic traditions. Artists are encouraged to respond to these themes in the originality of their practice.
The aim of this collaborative effort is to present coherent presentations which generate meaning beyond the sum of its individual components; presentations which draw forth new ways of seeing, and, expand the definition of, Australian art. By facilitating a space in which these projects can unfold, LNL seeks to contribute to a cultural discourse which moves beyond the art-world and into broader Australian culture.

Furthermore, LNL embraces the cosmopolitan spirit of the contemporary art world through regular participation in international art fairs. Likewise, exhibitions of international art are regularly featured in the programme to open space for authentic cross-cultural encounters between Australian and international artists.

Andrew Jensen opened the gallery in New Zealand in 1988 and over the course of more than thirty-five years it has set itself aside in terms of its seamless presentation of international work alongside the most considered practices from the region. In early 2011 the gallery expanded to Australia opening a second gallery in Sydney.

Multiple exhibitions by major artists such as Imi Knoebel, Fred Sandback, Tony Oursler, Helmut Federle, Günter Umberg, Winston Roeth, Lawrence Carroll, Elisabeth Vary and Callum Innes altered and enriched the local conditions. These exhibitions continued to provide the basis for an increasingly expansive approach that has seen the curated aspect of the gallery grow. There have been numerous notable projects over the last decade or more including E=MC2, Naked, The Architecture of Colour, Six Degrees of Separation, Points of Orientation, Detox, Melancholia, The Authority of Death, Farben, Saturation, There’s Joy in Repetition, Portrait without a Face, Eros, Permafrost and more recently Raven, Plastic Soul, Terrain, No One’s Rose & Rain.

The galleries’ programs have developed a welcome richness and energy with the inclusion of a newer generation of international artists including Jan Albers, Mark Francis, Hanns Kunitzberger, Sofie Muller, Erin Lawlor, Liat Yossifor, Koen Delaere, Jane Bustin and Gideon Rubin. Alongside this, artists from the region include Aida Tomescu, Tomislav Nikolic, Matthew Allen, Geoff Thornley, Robert Malherbe, Jenny Topfer, Todd Hunter and Gary McMillan. The galleries are also privileged to hold the Estate of Bill & Pip Culbert.

With the opening of the major new gallery space in Sydney in late 2025 the program is set to both expand and consolidate. Early in 2026 the gallery will present works by celebrated artists Ian Davenport (UK), Paul Czerlitzki (POL), Ingo Meller (GER), Ulrike Schulze (GER), Gerold Millar (GER) and Lucienne O’Mara (UK).

Fox Jensen, Sydney and Fox Jensen McCrory, Auckland are run in close partnership with its artists by Andrew Jensen, Emma Fox and Sarah McCrory. It participates annually in art fairs whilst remaining deeply committed to its galleries’ programs and to publishing.