Jennings Kerr was established in the regional setting of the Southern Highlands of New South Wales in 2021. This followed an extensive 10 year stint in Sydney and brought a new commercial gallery to the area. The focus of the gallery has been to work with emerging to mid-career artists and to provide a platform for the expression of their ideas. Jennings Kerr is working with both local and Australian based artists including Tanya Wales in South Australia, Anna Louise Richardson in Western Australia, David Hamilton in Victoria, James Lieutenant, Julie Pennington, and Kirrily Humphries in Canberra as well as Tristan Chant and Ochre Lawson in Sydney, and Imbi Davidson in the Northern Rivers Region. We represent many wonderful artists who are local to the gallery, including Harriet Goodall, Lucinda Chambers, Vanessa Forbes, Hannah Cooper, Birte Larsen, and Bonnie Porter Greene. We have strived to bring shows to the small town that would not happen without the gallery and represent Harry Martin who is based in London alongside several other international shows that we have presented including Miho Ichise from Fukuoka, Japan, Ann B. Coddington from the United States of America and Catrin Llwyd from Cardiff, Wales.

We hope that our model and program cater for shows of important Australian artists and exciting International work. Much of the focus of the program has been painting, sculpture and fibre based practice, with a strong expression of the hand.

Five Walls is an artist-led, independent commercial art gallery located in Melbourne’s inner-western suburb of Footscray.

The gallery presents a year-round exhibition program focused on contemporary abstraction, with particular attention to non-objective and reductive practices. Through its program, Five Walls supports rigorous artistic practices and seeks to foster sustained dialogue between artists, collectors, institutions, and the broader cultural community.

In early 2024, Five Walls established a roster of represented artists, with plans for continued development and expansion. In February 2024, the gallery presented at the Melbourne Art Fair, marking the commencement of its ongoing participation in art fairs both in Australia and internationally.

Five Walls comprises a Main Gallery and four Project Spaces, which support a range of solo and group exhibitions. The gallery is open to the public Wednesday to Saturday, 12–5pm, with the stockroom accessible by appointment.

Five Walls is co-directed by Misuzu (Missy) Ueda and Aaron Martin, and operates with a commitment to considered exhibition-making and long-term support of artists’ practices.

The gallery is located on the first floor of a converted mid-century shopping and office arcade in Footscray. Access is via a flight of stairs.

C. Gallery focuses on prominent and emerging artists, both Australian and international, working to elevate quotidian mediums through unexpected forms. C. Gallery presents sculpture, decorative and applied arts, challenging the delineation between traditional collecting categories and recognising that humble forms, mediums and techniques can possess the same conceptual depth, beauty and emotional resonance as traditional fine art.

As an offshoot of longstanding Melbourne-based design gallery Criteria, C. Gallery is committed to exhibiting works that exemplify the high standards of artistry, coherence of vision and technique that have been the hallmarks of Criteria’s collection since its founding. The gallery space dovetails physically and metaphorically into Criteria’s space; introducing new and important artists while maintaining a strong connection to Criteria’s original intent.

Void_Melbourne established in February 2022, is an independent commercial artspace presenting a vibrant programme of exhibitions from the gallery’s ever-expanding artist stable. Situated within a heritage-listed Bourke Street building, the exhibition space allows for experimental and formal presentations while exploring the boundaries of visual language. Void_Melbourne’s programme is structured around monthly exhibitions, focusing on introducing new and under-represented artists to a wider community while maintaining a high standard of presentation in keeping with museum standards. Within the gallery’s short history, audiences have embraced one of Melbourne’s newest independent and centrally accessible art spaces. Along with the physical gallery experience, strong post-engagement from collectors and international art media has allowed the gallery to facilitate sales to an increasing online market base. A large aspect of Void_Melbourne’s overall guiding principle is to facilitate interconnectivity between artists, collectors and institutions in a positive and constructive way. We placed great emphasis on furthering opportunities for our exhibiting artists outside of the gallery. In 202​6 and beyond, Void_Melbourne will continue to present and engage, while furthering opportunities for our artists locally and internationally.

Utopia Art Sydney is a leading gallery representing both Indigenous and Non Indigenous Australian contemporary artists.  In recent years our represented artists have been honoured with solo survey at international galleries (Tate Modern, UK), and Australian galleries, (AGNSW, Goulburn Region Art Gallery, Orange Region Art Gallery, New England Region Art Gallery) as well as inclusion in important group and themed exhibitions in USA and Australia.

Since opening in 1988 we represent a small number of artists, including those of Papunya Tula Artists, and manage the estates of important artists such as Richard Larter, Peter Maloney, David Aspden and Marea Gazzard.

Engineered to be eternally modular, The Renshaws’ is a contemporary art project re-imagined.  Their mission is to provide individualised opportunities and outcomes for the artists they work with, offering an inner-city artist studio and living quarters that operates in conjunction with public programs, professional connections, collector studio visits and private events.  The Renshaws also play host to live events, externally-curated exhibitions and work closely with other interstate and international art spaces for the purposes of artist support and touring exhibitions.  They also make available an island retreat for artists and curators to reflect upon their respective practices.

Sutton Gallery represents a highly respected group of contemporary artists from Australia and New Zealand. Established in 1992, the gallery continues to operate from its original location on Brunswick St, Fitzroy, staging a monthly program of solo and group exhibitions.

Saint Cloche is a contemporary gallery based in Paddington, Sydney, dedicated to presenting considered, conceptually rigorous practices across painting, sculpture, textiles and interdisciplinary forms. Since its inception, the gallery has championed artists whose work is grounded in material intelligence, cultural inquiry and a distinct visual language, fostering conversations that extend beyond the exhibition space.

Our program balances emerging and mid-career artists with nationally recognised practitioners, creating a dynamic dialogue between experimentation and established practice. We are particularly drawn to artists who engage deeply with process, whether through hand-built techniques, expanded painting, sustainable methodologies or research-led inquiry. Across each exhibition, there is an emphasis on craftsmanship, criticality and emotional resonance.

In parallel, Saint Cloche Atelier extends the gallery’s curatorial vision into residential and corporate contexts, offering bespoke art curation and immersive cultural experiences. Atelier reflects our commitment to placing contemporary art within lived environments, cultivating meaningful connections between artists, collectors and spaces.

Saint Cloche positions itself as both a commercial gallery and a cultural voice within the Australian art landscape. Through curated exhibitions, collaborations and public programs, we contextualise contemporary practice within broader social, ecological and philosophical frameworks. Our goal is to contribute meaningfully to contemporary discourse while nurturing sustainable, enduring careers for the artists we represent.

Sabbia, established in Sydney (Gadigal Land) in 2005 by Director Anna Grigson and the Sabbia team, has developed an international reputation as Australia’s premier gallery for contemporary ceramics, glass and fibre art. As a representational gallery, Sabbia is committed to supporting individual practitioners as well as artists working within remote Indigenous art centres across Australia.

Sabbia’s artists form a diverse and distinguished group, internationally recognised for their dynamic and innovative practices. Together, they demonstrate the depth, quality and evolution of ceramics, glass and fibre art in Australia, creating a compelling and influential exhibiting presence. The gallery presents a comprehensive annual program of solo exhibitions by represented artists, alongside curated group exhibitions, including the annual Masters series and the biannual Indigenous Together series.

Beyond its exhibition program, Sabbia provides consultancy, collection management and valuation services to Australian and international collectors. In 2025, the gallery celebrated its 20th anniversary, marking two decades of dedicated representation of Australia’s most exciting contemporary artists. Sabbia remains committed to the ongoing placement of its artists in major private collections and public institutions worldwide, and to supporting their artistic practices into the future.

Established in Sydney in 1982, Roslyn Oxley9 Gallery has a rich history of supporting contemporary art, having fostered the careers of some of the most influential Australian artists working today, including Daniel Boyd, Dale Frank, Fiona Hall, Bill Henson, Patricia Piccinini, Tracey Moffatt, Jenny Watson and Kaylene Whiskey.

Gallery artists have consistently been selected for biennales and significant international survey exhibitions including Sharjah Biennial, Istanbul Biennial, dOCMENTA, Dakar Biennale and thirteen gallery artists have represented their country at the Venice Biennale: Tracey Moffatt (Australia, 2017); Fiona Hall (Australia, 2015); Daniel Boyd and Newell Harry, in Okwui Enwezor’s All the World’s Futures, 56th Venice Biennale (2015); Bill Culbert (New Zealand, 2013); Hany Armanious (Australia, 2011); Callum Morton (Australia, 2007); Patricia Piccinini (Australia, 2003); Bill Henson (Australia, 1995); and Jenny Watson (Australia, 1993); Bill Henson (Venice Aperto, 1988) and Dale Frank (Venice Aperto, 1986).

As one of the most well-established Australian commercial art galleries, Roslyn Oxley9 Gallery has been exhibiting at international art fairs for more than 30 years and is committed to presenting a diverse schedule of exhibitions by international artists. The gallery program includes presentations by Mark Newson, Pierre et Gilles, Erwin Olaf, Robert Mapplethorpe, the Young British Artists, Moriko Mori, Elmgreen and Dragset, Tracey Emin, Hernan Bas, Isaac Julien, Yayoi Kusama, Wim Delvoye, Tatzu Nishi and Jim Lambie. The gallery continues to foster the careers of younger artists whilst maintaining a dynamic exhibition program that represents established and international artists.