Established in 2020, BTWNLNS is a multidisciplinary space bringing together books, furniture and spatial practice. It represents a carefully curated selection of independent publications sourced from around the world in partnership with do you read me?! Berlin.

Alongside this, BTWNLNS represents contemporary furniture and design brands—including New Tendency, Loehr, OUT, and Neo/Craft from Berlin, alongside its newest additions, Pani Jurek from Poland and Lehni from Switzerland. It also offers furniture consultation and interior architecture services.

Beyond the day-to-day business, an ongoing program of artist talks, book launches, performances, exhibitions and installations is fostering the dialogue across art, architecture, and design.

The variety of inspiring collaborators include design and architecture faculties at Sydney’s universities, as well as creative partners such as Semi-Permanent, Andpeople, Sydney Design Week, Adidas, Song for the Mute, Paramount House Hotel, NGV’s Melbourne Art Book Fair, Tokyo Art Book Fair, Sydney Contemporary Art Fair and Chanel Culture Fund, among many others.

Landslide Books & Objects is a Sydney-based independent bookshop, publisher and curatorial platform specialising in rare, out-of-print and contemporary artist books, photobooks and printed matter. Through publishing, exhibitions and collaborations, Landslide explores the book as both a cultural artefact and a site for artistic practice. In late 2026, Landslide will open a new purpose-built bookshop and exhibition space in Potts Point, Sydney, extending its programme of exhibitions, publishing and artist-led projects.

The Print Council of Australia Inc. (PCA) is a national not-for-profit member organisation that promotes contemporary Australian printmaking, including artist books, zines, and works on paper. In 2026, the Print Council of Australia celebrates its 60th year.

The PCA has a Committee of Management representing all states and territories of Australia, and a part-time staff of four complemented by a team of volunteers. Through the quarterly journal Imprint, the annual Print Commission program, exhibitions and other events the PCA supports the work of its member printmakers and promotes excellence and innovation in the field.

Sarah Ducker’s creative life has evolved through various media, from theatre direction to documentary filmmaking, before finding its most eloquent expression in photography.

Originally completing her high school studies in London, she returned to Australia to study film and television at UTS and went on to complete a postgraduate degree in theatre directing at NIDA.

Jean-Pierre Siméon’s observation that “a poem is where you hear the heartbeat of a stone” is reversed in Sarah’s imagery, where visual clarity meets her emotional acuity.

Through the intimate photographs of the landscape, Sarah explores the silent realm of stillness. Her photographs act as meditations and bring the viewer into a quiet contemplation with the beauty of nature. This quietude of these works sits in contrast to the tumultuous violence of the changing climate that is increasingly impacting our everyday existence.

Marnya is a widely published photographic artist known for her revealing and authentic portraits of artists and performers and her playful feminist photographic art series Cut Out which was the product of her photographic thesis.

Her new work explores our collective disconnection from the natural world through a reimagining of portraiture photography.

This work replaces human subjects with found organic objects such as shells, beetles, exoskeletons and snake skins. Here these elements, typically overlooked as debris or classified as ‘specimens’, are elevated to portrait ‘sitter’. By applying the visual language of portraiture, Marnya invites viewers to explore the sitters with curiosity – as carriers of their own life-story.

The work seeks to challenge anthropocentric perspectives while offering a quiet, reflective space to reconnect with the natural environment. They are both acts of observation and gestures of care that bridge the gap between human experience and the natural world.

Gallery 74 is a contemporary art space in Robertson, Southern Highlands NSW. Established and directed by The Printmaking Sisters Robin Ezra and Annie Day, Gallery 74 operates as part of the Highlands Hive, a creative arts hub of working studios and galleries at the heart of the Robertson community.

Now in its sixth year, the gallery’s program presents original works by regional and New South Wales artists across painting, printmaking and mixed media, with a strong commitment to supporting both emerging and established practitioners. Gallery 74 values creative independence, and its exhibition program reflects the breadth and diversity of contemporary art practice in regional NSW.

Alongside its exhibition program, Gallery 74 runs a comprehensive year-round workshop schedule. Prioritising excellence in education and community connection, printmaking workshops led by Robin and Annie focus on sustainable and non-toxic techniques. The calendar also features visiting arts educators and practitioners who offer instruction across disciplines such as bookbinding, textile crafts, painting, drawing and small sculpture. As part of the Highlands Hive, Gallery 74 and the Printmaking Sisters are integral to the creative life of the Southern Highlands community.

Founded in 2022, LAILA is an art gallery based on Gadigal Country/Sydney, Australia. LAILA’s program works alongside several anticipated new voices in contemporary art.

The Commercial is a contemporary art gallery founded in 2012, recognised for its critical focus and long-term support of artists working at the forefront of conceptually and materially driven practice. The Commercial represents a group of singular Australian artists and works closely with them on exhibitions at the gallery and external projects. Artists represented by the gallery have a strong presence in institutional collections and exhibition programmes and biennials internationally. They are recipients of significant prizes and produce works for the public domain.

In 2024, Kamilaroi/Bigambul artist Archie Moore presented a solo exhibition, kith and kin, in the Australia Pavilion at the Venice Biennale. The exhibition was awarded the Golden Lion for Best National Participation. The Commercial negotiated the acquisition of kith and kin by the Australian Government and its joint donation to Queensland Art Gallery | Gallery of Modern Art and Tate.

The Commercial participates regularly in art fairs. It has exhibited at Art Basel Hong Kong, Auckland Art Fair, Frieze London, Melbourne Art Fair and Sydney Contemporary.

The Commercial is located in Sydney, Australia, in a 350-square-metre industrial warehouse with concrete walls, eight-metre-high ceilings, and illuminated by natural light.

MESSUMS ORG is a collaborative space for artists, collectors and thinkers. It is a virtual and physical network for the presentation and engagement with creative expression across artistic genre. Started as Messums Wiltshire in 2016 in a 13th Century Tithe Barn by Johnny Messum, the business has established venues and arts communities in the West and East of England. These locations are connected to an exhibiting venue in central London, evolving the role of the gallery from presentational space to one that offers access, support and knowledge to the creative languages.

Our core specialisms are represented in the breadth of the arts we engage in as part of the programme of exhibitions and events at our venues. This encompasses painting, drawing, ceramic, sculpture, film, photography, performance, architecture, textiles and more. Together with our exhibitions and events, we offer international artist residencies, contemporary dance premières, symposia, and workshops. Central to our ethos is the relationship between creativity and problem solving, seeking solutions to aid progress and foster understanding.

Australian Print Workshop (APW) is a national centre of excellence for contemporary printmaking. Since 1981 APW’s prodigious cultural footprint in Australia and internationally has made an unrivalled contribution to the discipline of contemporary Australian printmaking and the arts sector.

APW has a reputation for excellence and innovation across the full range of its programs and services – providing exceptional opportunities and support for artists, communities, and audiences.

Development and presentation of bold and ambitious new work in the print medium is achieved through APW’s creative program of collaborative printing, exhibition and education programs, international initiatives, public art commissions, and community outreach to regional and remote destinations.

Supporting artists to create new work in the print medium is fundamental to APW. Artists who might otherwise be working in isolation are given significant opportunities for professional development, international engagement, networking, and mentorship through APW’s programs.

APW’s professional printmaking facilities include purpose-designed studios equipped with an exceptional range of printing presses and equipment. Supported by APW’s team of highly skilled printers and experienced print specialist staff, these printmaking resources uniquely position APW as a world-class contemporary print organisation.